Tintas para quê? Agora é IPhone e IPad

"So if they are not paintings, what do we call them?"

"When you first encountered the iPhone, did you immediately see it's potencial?"

"Can you briefly describe how did you start using your fingers?"

"As an artist isn't not frustrate to be working in this tiny screen?"

"Is it truth that you find your self wiping your thumb to your clothes like if you were painting?

"Would you compare it to fingerpainting?"

"How did you exhibit?"

"The subject matter of flowers and light works better in this medium or just happened that you wanted to draw it from life?

"Do you see the screen overtaking the place of the canvas today?"

"Isn't not a bit of a paradox that you hate the screen, yet you are exploring the possibilities of the screen?"

"Unlike the work of art on canvas or on paper, it's seems to be something to fleeting or impermanet in digital work. It is odd to some who did produce physical work for so many years, to make something more ephemeral?" 

"How do you think that this new devices are changing the world?"

"Do you call this a revolution?"

2009

David Hockney, 2009

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David Hockney (Bradford, Inglaterra. 1937)

1953/57 Bradford College Of Art
1959/62 Royal College Of Art

The paintings have been widely exhibited—in London (at the Tate and the Royal Academy), in Los Angeles, a broad overview in a small museum in Germany.

mais imagens: http://www.hockneypictures.com/iphone_pages/iphone_etcetera-21.php